Common eigenfunction
of idea and formants
in the musical force-fields
Universal synthesis
of idea and formants
in the musical process of creating 7.3.2.17.00
• in the musical harmony-space
• in the musical sequence-space
• in the musical motif-space
• in the musical tone-space
• in the acoustic space
SEMINAR
7.3.2.17.01
Common eigenfunction of idea and formants at the transition from the
force-field of our self-awareness to the force-field of our intellect
7.3.2.17.02
Common eigenfunction of idea and formants at the transition from the
force-field of our intellect to the force-field of the musical harmony-space
7.3.2.17.03
Common eigenfunction of idea and formants at the transition from the
force-field of the musical harmony-space to the force-field of our feeling
7.3.2.17.04
Common eigenfunction of idea and formants at the transition from the
force-field of our feeling to the force-field of the musical sequence-space
7.3.2.17.05
Common eigenfunction of idea and formants at the transition from the
force-field of the musical sequence-space to the force-field
of our understanding
7.3.2.17.06
Common eigenfunction of idea and formants at the transition from the
force-field of our understanding to the force-field of the musical motif-space
7.3.2.17.07
Common eigenfunction of idea and formants at the transition from the
force-field of the musical motif-space to the force-field of our hearing
7.3.2.17.08
Common eigenfunction of idea and formants at the transition from the
force-field of our hearing to the force-field of the musical sound-space
7.3.2.17.09
Common eigenfunction of idea and formants at the transition from the
force-field of the musical sound-space to the field of our inner voice
7.3.2.17.10
Common eigenfunction of idea and formants at the transition from the field
of our inner voice to the force-field of our mind
7.3.2.17.11
Common eigenfunction of idea and formants at the transition from the
force-field of our mind to the field of our neurophysiology
7.3.2.17.12
Common eigenfunction of idea and formants at the transition from the field
of our neurophysiology to the force-field of the acoustic space
Reference work:
Peter Huebner Study of Music Study of the inner Forces of Man
© AAR EDITION INTERNATIONAL 1986